This book is about a beautiful selection of architectural installations, which are the artistic manifestation of the incredible body of work of Manuel and Francisco Aires Mateus.
Of the around 20 biennials and triennials worldwide devoted to architecture, the Venice Architecture Biennale is the most prominent, considered as the world’s leading biannual architecture festival. The participating architects selected every second year come from around the world to engage in the most important information exchange in the world of architecture.
Aires Mateus Architects is the architectural practice operated by two brothers, Manuel and Francisco Aires Mateus. They have been invited five times to participate in Venice. This publication will introduce the five architectural installations they contributed to the biennales in the last decade.
The publication consists of five individual parts, each of them a separate book, and held together by a French-fold-dustjacket. Each book is dedicated to one exhibition in Venice. The beautiful projects presented in this volume set an outstanding example of architectural installations reflecting space in a sensitive, poetic and mathematical way.
Over the last three decades, Aires Mateus have gained international recognition for their contemporary reinterpretation of architectural traditions in Portugal. Their work is poetic in nature, and much of it is based on constant exploration and experimentation. Their abstract architectural installations are the artistic manifestation of this work.
Every installation will be introduced with a short essay, especially written for this publication by philosophers, architects, and an art critic. With contributions by Francisco and Manuel Aires Mateus, Ricardo Carvalho, Nuno Crespo, Sofia Pinto Basto, Paulo Pires do Vale, and Delfim Sardo.
The Five Investigations
VOIDS: The first time Aires Mateus presented Portugal at the Venice Biennale was in 2010. The show was curated by Kazuyo Sejima from Sanaa, the first woman ever to work as chief curator of the Venice Architecture biennale. Aires Mateus’ installation “VOID” was strikingly simple, as their minimalistic architecture often is. An entire room in the Central Pavilion in the Giardini was filled with abstract models of Aires Mateus’ projects. Their installation investigated the extraction of volumes, connecting positive building forms with corresponding negative space. This relationship between positive and negative spaces has always existed inherently, but rarely been so clearly and understandably articulated.
RADIX: In 2012, the installation took the form of a single large sculpture which greeted the visitors in the Arsenale area. The open and closed arches of “Radix”, a steel structure clad with rusting steel panels on the outside and with a golden finish on the inside, could be perceived as a continuation of the arches of the shipyards in the docks of the Venice Arsenale. Despite the heavy steel construction, the arches of the pseudo-rectangular block and the brownish and golden color has a light appearance; it is as if it were made of wood. The arches are supported at three points, with the main arch overhanging the docks.
FENDA: In 2016 the participation again took the form of an installation, but this time the visitors could enter a beautifully illuminated, mysterious cube, with which the architects symbolically marked the return to the essence of space. Space was considered from the perspective of its relationship with the human, that is anthropologically. The installation served as a reminder that this is still the essential value of architecture. FENDA is a cube with outside dimensions of 7x7x4 meters. The visitor enters by opening a black curtain, and passes through a one-meter-thick concrete wall to enter. Inside, one finds oneself in a kind of cave. The slit of light from the entrance opens and closes the visitor’s path, changing the scale and perception of space.
FIELD: Though it is another beautiful sculpture, this installation differs from the others: this time, one cannot enter the installation, one can only look inside. The book cover shows one of the views that the visitor can glimpse. The curators described this work as a sensitive, poetic and mathematical reflection on space. What the visitor perceives, the smell, colors and texture, remind of nature. Subtle textures or spots of color emerge from the dark under a diffuse and warm light, evoking the beauty of controlled landscapes and blurring the limits between natural and artificial.
GROUND: The upcoming exhibition at this year’s biennale will be introduced after the release by end of May 2021.
Manuel Aires Mateus (Lisbon, 1963), graduated from the Faculty of Architecture – U.T.L. in 1986.
Francisco Aires Mateus (Lisbon, 1964), graduated from the Faculty of Architecture – U.T.L. in 1987.
After collaborating with the architect Gonçalo Byrne, they founded AIRES MATEUS studio in 1988.They have been teaching since 1986 in several different universities across the globe including Harvard and Cornell University. Aires Mateus has been awarded with several prizes, both national and international, including the Valmor Prize, Secil Prize, Ecola Prize, Enor Prize, FAD Awards, the prize of the Ibero-American Architecture Biennale, and several projects have been nominated for the Mies van der Rohe Awards. In 2017 they received the Pessoa Prize, the most important prize in the area of Portuguese culture.
Many projects have been published in international monographs and magazines.
They took part in the latest editions of Venice Biennale in 2010, 2012, 2016, 2018 and are contributing to the 17th Biennale de Venezia 2021!
Nuno Crespo (PhD, New University of Lisbon) is Senior Researcher at the Art History Institute of the New University of Lisbon. His work includes the coordination of the research group Art. Criticism. Politics., teaching Aesthetics and Art Theories and coordinating graduate studies in Art Curatorship. His research activities have been concentrated on the intersection between art, architecture and philosophy, and devoted to the possibilities of critical thinking within curatorship. Recent publications include articles on Adriana Molder, Aires Mateus, Axel Hütte, Bernd and Hilla Becher, Candida Höffer, Carrilho da Graça, Daniel Blaufuks, Fassbinder, Gerhard Richter, Luísa Cunha, Miguel Ângelo Rocha, Nuno Cera, Paulo David, Pedro Costa, Rui Chafes, Vasco Araújo, and books Wittgenstein e a Estética, Julião Sarmento. Olhar Animal., Arte.Crítica. Política. He is also an art critic and an independent curator.
Sofia Pinto Basto graduated in 1993 from the Faculdade de Arquitectura, Universidade Técnica de Lisboa. She completed further studies in the field of Philosophy at Universidade Nova de Lisboa in 1995, while already working in the studio Oliveira Sousa Arquitectura e Urbanismo, where she gained twenty years of experience. As project coordinator, projects she worked on include the campus of the Universidade Nova de Lisboa, campus of the Politécnico do Cávado e do Ave, and the Stone Block housing building in Lisbon.
Since 2000 , Sofia Pinto Basto has been working together with Ana Cravinho and Inês Cordovil. They founded SIA arquitectura studio in 2007, with the aim of defining a language that reflects their distinctive perspective on architecture.
Paulo Pires do Vale is a pProfessor, essayist and curator, graduate and master in Philosophy from FCSH, Universidade Nova de Lisboa. He teaches at the Portuguese Catholic University, at the Department of Architecture at UAL and at Maria Ulrich School of Early Childhood Educators, where he coordinates the Postgraduate Degree in Artistic Practices and Pedagogical Processes. The many essays and articles he has written include “Everything is something else. Desire in Hegel’s Phenomenology of the Spirit ”. His writing has been published in books, magazines and catalogs of collective and individual exhibitions and focuses primarily on the relationship between art, education and society.
Ricardo Carvalho, graduated in architecture in 1995 at FAUTL at the Universidade Tecnica in Lisbon. He established the studio RCJV Arquitectos in 1999, which has been known as, Ricardo Carvalho Associados since 2018. In 2012 he earned a PhD in Architecture from the Instituto Superior Técnico, Lisbon.
He has taught as a professor since 2005 and became Dean of the Department of Architecture of the Universidad Autónoma, Lisbon in 2013. His teaching positions include a professorship from 2009 to 2013 in the “Architektur Studium Generale” International Master at Brandenburgische Technische Universität Cottbus, Germany, and visiting professorships at the Escuela de Arquitectura , Universidad de Navarra in 2013 and Carleton University, Ottawa from 2016 to 2017. He is a regular guest critic in several universities, in Portugal and abroad. From 2005 to 2008, Ricardo Carvalho worked as editor in chief of JA-Jornal dos Arquitectos. He writes regularly for international publications and has curated various architectural exhibitions. His book “The Social City” was published in 2016. The many awards he has been nominated for include the Mies van der Rohe Award of the European Union Prize for Contemporary Architecture which he was first nominated for in 2015 and currently again for the 2022 cycle.
Delfim Sardo is a professor at the University of Coimbra and responsible for the visual arts program at Culturgest, Fundação Caixa Geral de Depósitos. He also works as consultant of the Calouste Gulbenkian Foundation and director of the Center of Exhibitions of the Centro Cultural de Belém in Lisbon. His curatorial work includes the curatorship of the Portuguese Representation at the Venice Biennale in 1999 and co-curatorship of the same in 2010. He was also chief curator of the Architecture Triennale of Lisbon 2010 and of the Biennial Anozero in 2017.
Further pursuits include his founding and directing the Pangloss contemporary art magazine and working as president of the Portuguese section of AICA (International Association of Art Critics). He writes regularly on art and architecture and is the author of several books, including A Visão em Apneia published by Babel in 2013, and O Exercício Experimental da Liberdade by Black Orpheus in 2017.
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